Grace is a director, associate director, and assistant director passionate about new work development and perspective shiftsof classic pieces.

She is a Romani LGBTQIA+ individual, focused on ambitious characters and agency-based coming of age stories.

I’M GRACE.

She is invested in the entire theatrical process, with experience across many fields including:

scenic design
general management
producing
choreography
stage management
performing

Associate Overview →

PAST WORK →

Portfolio →

SHE’S GOT THIS

Grace brings a wealth of experience across various genres, from cutting edge drama to classic operettas, political commentary and experimental theater. She is able to work in a variety of artistic styles and messages.
Her success with unified theatrical processes hinges on clear, assertive communication. Whether it's coordinating teams or conveying the vision, Grace ensures seamless collaboration and understanding of ideas.
A place for everything and everything in its place. From tracking notes to following up on designer questions, it is imperative to follow through every step of the process and find resources easily. Proper and diligent organization allows the logistics to fuel your creativity, rather than stifle it.
Grace is excited by trying new ideas, mediums, and concepts. There’s a new monologue for the lead? Let’s get it on its feet and see if it works with what we have so far. Curious if the female lead should be in pants or a skirt? She’d love to see a sketch of both and chat about what tells the story most effectively. Whether it be a memory play, lyrical piece, or slapstick farce, Grace is capable and willing to try it all, encompassing the production timeline and overall goals.

Grace’s Assistant/ Associate Director Hallmarks

Streamlined organization, efficient time management, diligent communicator

Self-starter work ethic to foresee and solve problems before they arise

Experience with understudy and put-in rehearsals of varying urgency with a commitment to complete preparation.

Dedicated assistance to young performers.

Deep understanding of the production process including design, dramaturgy, and performance

Proficient in Vectorworks, AutoCAD, Google Suite, Microsoft suite, Salesforce, Photoshop, InDesign

CPR/AED, OSHA Certified

SAFD Single Sword Combat Trained

AMY MARIE SEIDEL, MACHINAL

DODD LOOMIS, AVALONA (Full Testimonial Below)

“Grace is smart, creative, and thoughtful. She's a terrific addition to any team, and I feel so fortunate to have had the opportunity to work with her.

COURTNEY O’CONNOR , THIRST

“Grace Cutler is like a lightning bolt— a quick thinker & problem solver ever ready with creative solutions in the rehearsal room. Her skills extend to every aspect of theatre— she is a talented actress, thoughtful director and an imaginative play-maker. I love working with her!”

PAULA PLUM, POTUS

“Working with Grace is truly a delight. Her passion, humor, and keen attention to detail frequently serve to illuminate new possibilities and strengthen all aspects of a production.”

JUSTIN LAHUE, SWEET CHARITY

“She has a clear vision and a quick on her feet approach to her work that makes her an asset in any situation. Her knowledge of a wide range of areas of theatre helps her to meet any design challenge from a collaborative lens. I know that I can rely on her to masterfully achieve the vision for the show.”

ERIK DIAZ, BEAUTIFUL/MEAN GIRLS/LIZZIE

“Grace has a combination of tenacity and humility that is crucial. She solves problems before you ever realize they exist. As eager to support as she is to lead, Grace Cutler is someone you want on your team!”

BRYCE PINKHAM, CANDIDE

I had no idea who Grace Cutler was when she first reached out—but from the moment she contacted me, I knew she was different. Without a formal job posting, Grace found a Playbill casting notice for dancers, did her own research, figured out I was directing the project, and sent me a smart, thoughtful, and highly personalized email asking to be considered as Assistant Director. She knew the history of the show, understood its creative ambitions, and made a compelling case for why she should be involved—not just to gain experience, but because the piece genuinely spoke to her.
Her instincts were flawless—and her work exceeded every expectation.
From day one, Grace was three steps ahead. She anticipated every need, had materials prepped before I even asked, managed real-time script and blocking changes with ease, and juggled endless revisions and logistical challenges without ever losing her cool. Her work ethic is superhuman: she regularly put in 14- to 16-hour days with zero complaint and constant professionalism. More than that—she was a true partner. As a director, I always felt supported, organized, and empowered with Grace at my side.
I truly could not have directed Avalona: A Musical Legend—or its remount, two completely different productions—without her. When the show was extended and I had to leave, I had zero hesitation in recommending Grace to take over as Associate Director. The producers agreed, and she absolutely delivered.
I was so confident in her skills and professionalism that I personally introduced her to Michael Greif, one of the most respected directors in American theatre today—because I believe Grace is ready for that level of work now.
Grace is smart, resourceful, hilarious, endlessly cheerful, and wildly capable. She is exactly who you want in the room. I recommend her without reservation—and frankly, you’d be lucky to have her.
Dodd Loomis
Director, Writer, Producer

ASSOCIATE DIRECTOR WORK SAMPLES

Actor Transition Tracking

When putting people into a show it is helpful to quickly understand what each cast member accomplishes on actor driven transitions. These transitions were story driven and required direction and artistry as well as logistics.

Make sure the show can happen with new/different cast members
Easily track props and prepare for any changes
Shows how actors work together to accomplish tasks

Note Tracking and Delivery

It is imperative that notes are clearly organized and actionable, including the necessary parties and priority level. So much of a process is tracking progress, and every completed note is one step closer to freezing a production.

Taking notes on design conversations

On this production it was imperative that I track conversations and design ideas to be able to communicate them to absent team members.

If the director has said something once, they should not need to repeat it. I can go back through notes and re-iterate what was said as they accomplish other tasks and create more.